How To Tune A Guitar

How To Tune A Guitar Perhaps your guitar was playing great when you brought it home from the store, and gradually, you noticed it didn’t feel right anymore. Or, maybe it just never felt right from day one. Whatever the case, you know it’s time for a tune-up (pun intended).

I can usually tell when my guitar needs a bit of tweaking. It starts to feel tedious and tiring to play, albeit in a very subtle way.

The following information will help you do the basic setup tasks yourself. I’ve taken my guitar to many techies for basic setup tasks; for the most part, none seemed to get it right. It was always difficult to talk to the person doing the work since many stores farm it out to outside sources.

What I consider the basic tasks are:

Adjust the truss rod for proper neck relief

Your guitar needs a small amount of relief or clearance in the middle of the fingerboard so that a vibrating string has ample support to vibrate freely and naturally.

This is achieved by adjusting the truss rod. Most manufacturers will ship a truss rod wrench with the guitar. If yours didn’t come with one, you’d need to find the correct wrench for your guitar.

  • Gibson guitars commonly use a 5/16 wrench
  • Fender typically uses a 3/16 or 3/32 Allen wrench

The directions below apply to guitars with only the truss rod adjustment in the headstock.

Never force the truss rod if it doesn’t move freely; this will likely only damage your guitar. If the truss rod doesn’t move freely, take it to an experienced repair person and have it looked at.


Hold the low E string down at the 1st and 13th frets to quickly check whether the truss rod needs adjustment, then tap the string down at the 6th fret. You should hear a light click as you do this from the string hitting the frets. The neck needs more relief if you don’t hear this “click” sound. You probably feel uncomfortable if the “click” sound is highly pronounced.

If a plate covers the truss rod, remove it to expose it. The following is a rough guide for setting the action.

Style of playing
Type of action desired
Relief in inches
Rock & Roll Medium-low 0.010
Jazz Medium-low 0.013
Acoustic-electric Medium-low 0.013
Classical-electric Medium-low 0.023
Electric-bass Medium-low 0.020

This measurement is generally taken by measuring the distance between the bottom and top of the 6th fret while holding the string down at the 12th and first fret.

This is where the capo comes in handy – put it on the first fret so your hand is free to take the measurement. Using a feeler gauge of the desired height, in this example, 0.010, hold the low E string down at the 12th fret (with the capo on the first fret) and measure the distance between the top of the 6th fret and the bottom of the low E string.

If the distance exceeds the desired relief, then you need to turn the truss rod clockwise (towards your right) as you’re looking down the headstock towards the guitar’s body.

If the distance is less than the desired amount, you must turn the truss rod counter-clockwise (towards your left) as you look down the headstock towards the guitar’s body.

The basic rule is:

  • Clockwise to tighten for loss relief
  • Counter-clockwise to loosen for more relief

When making truss rod adjustments, always work in small increments, never over 1/8th of a turn. If you must force the truss rod or feel it won’t move, stop immediately and take it to an experienced repair person. You may have other problems that need to be resolved.

Finally, always check the relief while holding the guitar in playing the position. Otherwise, the neck can flex from the body’s weight if improperly supported.

It’s common for the truss rod to take a while to have its full effect on the neck, so make sure you periodically revisit the relief to ensure it’s still accurate during the remainder of the setup process.

Paul Reed Smith guitars use a double-acting truss rod in post-1992 production guitars. Their website states, “PRS switched over to the double-acting truss rod about halfway through the 1992 production year. To determine whether your guitar has this system, examine the adjusting nut. The single-acting rods used a brass adjusting nut threaded onto a steel rod. The double-acting rods use a steel nut fused to a steel rod. The double-acting truss rod achieves twice the amount of adjustment as the single-acting rod with the same amount of movement of the adjusting nut. Do not over-adjust!”

You might want to consider making this adjustment and then allowing the guitar to sit overnight and adapt to the change. Then, check the next day and make final tweaks before continuing the rest of the adjustments. It’s also good to check the truss rod adjustment several times during the setup, especially if you dramatically raise the strings’ height at the bridge, to ensure it’s correct.

Other thoughts:
There are alternate methods for adjusting the truss rod/neck relief. For example, Paul Reid Smith Guitars recommends fretting the 1st fret and the last fret, then measuring from the top of the 8th fret.

For most guitars, the truss rod affects the area from the 1st to the 13th fret, so the measurement is commonly made using the 1st & 12th fret.

Try the different methods and see which one works best for you. I rather like the way PRS recommends doing it, and often, I’ll use their method to get the neck close to the desired adjustment.

You’ll eventually get a feel for it when your relief is set correctly, and you won’t have to measure. You’ll know by the way the guitar plays.

Specifics for Gibson Guitars

Here’s what Gibson has to say regarding truss rod adjustment:
“We don’t have any published specs for this. It is whatever setting works best for the guitar to create minimal buzz and good action.”

My own experience suggests that .010 is a good starting point for Gibsons. I use .011 – .052 strings on all of my guitars.

Specifics for Fender Guitars

Fender recommends placing a capo on at the first fret, holding down the string at the last fret, then measuring the distance between the top of the 8th fret and the bottom of the sixth string.

Neck Radius
Relief at the 8th fret
7.25″ .012′
9.5″ – 12.0″ .010″
15.0″ – 17.0″ .008″

Adjust the bridge for proper string height and action

String height measurement is taken from the top of the 12th fret to the bottom of the string, generally with a small metal ruler. As a starting point, the following heights are factory recommendations.

How To Tune A Guitar Specifics for Gibson Guitars – measurement is made at the 12th fret

Height – bass side Height – treble side
5/64″ 3/64″

Specifics for Fender guitars – measurement is made at the 14th fret

Neck radius
Height – bass side
Height – treble side
7.25″ 5/64″ 4/64″
9.5″ – 12.0″ 4/64″ 4/64″
15.0″ – 17.0″ 4/64″ 3/64″

The height of the string is generally adjusted by turning small Allen head screws in the individual string saddles or by adjusting the treble and bass side of the bridge.

A 64th of an inch seems like a small amount, but when you’re talking overall string heights of 3/64 to 5/64, a 64th is a significant change!

Generally, the rule is that height should gradually increase as you go from the high to low strings. If you have a reasonably radiused fretboard, your strings should follow the fretboard’s radius.

If your string height is seriously out of whack, start by adjusting the thumbwheels on the bridge if you have a Gibson Tune-A-Matic style bridge to bring it within the ballpark. Then, make the fine adjustments using the individual string saddles.

If it’s pretty close, to begin with, you should be able to make all the adjustments by just tweaking the string saddles. Turning the screws clockwise will raise the saddle and lower it counterclockwise.


If you have any high frets or problems with your fretboard, you may not be able to achieve the optimum specifications without first having the issue appropriately resolved.

Adjust the height of the pickups properly.

After adjusting the action and string height, it’s a good idea to adjust the size of the pickups. If the pickups are too close to the strings, the magnetic field can affect the intonation, especially with single-coil pickups, and cause undesirable distortion.

Besides, a pickup that’s too close to the strings can kill your sustain since the strong magnetic field will cause the string to stop vibrating prematurely.

Always check the pickup height while fretting the string at the highest (last) fret. Measure from the top of the pickup to the bottom of the string. You can also use the pickup height adjustment to balance the volume and tone of your pickups. How To Tune A Guitar

For example, if there’s too much bottom end, you can slightly lower the pickup’s bass side to lessen the low end. If you have too much treble, you can reduce the treble side and experiment to find the perfect setting.

If you set both pickups to the same height, the neck pickup will always be louder than the bridge pickup. You can balance this by setting the neck pickup slightly lower than the bridge pickup. Also, when you have both pickups selected simultaneously, you can adjust the tone by changing the heights of the two pickups so that the mix is more balanced.

What it comes down to is the personal preference in tone and output. The specs put forth by the manufacturers are merely starting points to depart from. They’re not ironclad settings.

Suppose you have humbucking pickups with adjustable pole pieces and six adjustable screws on top of the pickup. In that case, you can make fine adjustments for individual strings by tweaking the corresponding screw for a given string.

This is an excellent way to balance out individual string volumes. You should start with all-pole pieces screwed down flat against the pickup and make necessary adjustments from there.

Considerations for Single Coil Pickups

If you work on single-coil pickups, you must keep the heights lower than humbuckers because the magnets are typically much more robust.

Before beginning a setup, ensure the pickups are not too close to the strings, or you’ll get misleading string buzzes and intonation problems. The magnet’s influence is much more substantial on the bass side of the pickup due to the mass of the bass strings, so in general, the pickup’s bass side should be lower than the treble side.

It will take some experimentation to arrive at the perfect balance of tone and volume while still maintaining accurate intonation. Remember, the strong magnets used in single-coil pickups can cause sharp intonation if positioned too close to the strings.

After you make adjustments, check the tone of your guitar each time and keep fine-tuning it. It may take a while before you arrive at the perfect mix for your preference, but it is achievable.

If you get a harsh distortion from your guitar, try lowering the pickups a bit to yield a creamier, more natural kind of distortion. The key here is to experiment.

Specifics for Gibson Guitars

Neck pickup
Bridge pickup
3/32″ on the bass and treble side 1/16″ on bass and treble side

Specifics for Fender Guitars

Pickup height
Bass side
Treble side
Texas specials 8/64″ 6/64″
Vintage style 6/64″ 5/64″
Amer/Mex standard 5/64″ 4/64″
Humbuckers 4/64″ 4/64″
Lace sensors as close as desired as close as desired

Adjust the intonation for accuracy

If you have an adjustable bridge, the final step is to adjust the tone.

How To Tune A Guitar Intonation refers to whether or not a note plays sharp or flat from its intended sound. When you depress a string, you stretch it beyond its unfretted position.

This generates a slight sharpness in pitch, which is compensated for by adding a slight excess of string length.

To check intonation on a given string:

  • Play the harmonic at the 12th fret, listen carefully to the resultant pitch
  • Now, play the same note by fretting the note at the 12th fret. The two letters should match precisely if the intonation is correct.
  • Adjust the bridge saddle to avoid the fingerboard if the fretted note sounds sharp.
  • If the fretted note sounds flat, adjust the bridge saddle to move toward the fretboard.

The adjustment depends on your skill and the accuracy of your ear in determining the pitch between the two notes. Constantly adjust the saddle in small increments so you can fine-tune the intonation. If you cannot get the intonation accurate, bring it to a qualified repair person to determine if you have other problems.


You can also use an accurate tuner to set your intonation rather than doing so by ear. This will typically yield more accurate results. It’s best to use a tuner with an analog-style needle display or a strobe tuner, which is highly reliable. Thanks to J. Grant Boling for this helpful hint.

One problem I’ve seen several times is where a guitar’s intonation is set correctly, but notes fretted between the 1st and 5th fret sound sharp regardless. This is almost constantly true since the nut slots are cut too high. The extra distance required to push the string to the fret is causing the note to be sharp. Take the guitar in and have the nut appropriately regulated to resolve this problem.

Electric Guitar Tune Tips

This is not an all-encompassing list, but it’s a good start for the minor tasks you can carry out yourself.

If you’ve never done it before, I recommend bringing your guitar to an experienced luthier and having them check and repair the following items. Even if it’s a brand-new guitar, you’d be amazed at the difference this can make:

  • Regulate The Nut. This ensures that the strings are at the proper height at the first fret. You may experience slight sharpness in the lower fret region if they’re too high. This is because the string must travel too far when you depress a note at the first fret. Not only that, but you will also find it tiresome to play in the lower fret region. Most guitars do not come with a properly regulated nut. This is a must-do.
  • Check For High And Low Frets. Level the frets as needed. Any time frets are leveled, they must be re-crowned to ensure accurate intonation.
  • Check for loose frets, and re-glue any that are found.
  • Have the frets polished. This will give them a smooth, silky feel.
  • Sophia Davis

    I'm Sophia Davis! Currently immersed in music and musical instruments, my passion lies in sharing my expertise and knowledge in this vibrant domain. I've become a true specialist in music and musical instruments with years of hands-on experience and a rich background in various musical endeavors. Each note played, and every melody crafted is a testament to my journey and dedication to this beautiful art. Beyond the musical notes, you'll often find me enjoying the company of my beloved pets, strumming away on my favorite instruments, and indulging in the delightful world of my all-time favorite foods. Let's embark on a harmonious journey together!

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